Old Deccan Days; or, Hindoo Fairy Legends Current in Southern India

Unknown

"Old Deccan Days; or, Hindoo Fairy Legends Current in Southern India" by Mary Frere et al. is a collection of fairy tales rooted in Indian oral tradition, compiled in the late 19th century. The book draws on various local legends and folklore from Southern India, reflecting the rich cultural heritage and storytelling practices of the region. It presents a plethora of enchanting narratives that feature unique characters, moral lessons, and supernatural elements characteristic of Indian fairy tales. The opening portion of this collection sets the stage with a detailed introduction and the stories of the narrator, Anna Liberata de Souza. It shares her personal background, detailing her family's Christian conversion and their historical context during colonial times in India. The narrative then transitions into the tales themselves, beginning with "Punchkin," which tells the tale of a Rajah's seven daughters and their struggle against a cruel stepmother. As they face adversity, they encounter magic and the supernatural, embodying the themes of resilience and the triumph of good over evil that are prevalent in traditional fairy tales. This introductory section establishes a strong connection to the customs, beliefs, and experiences of the people in the Deccan, entwining personal and cultural histories with the art of storytelling.

English · 1900 · Classical Literature

Description

“Old Deccan Days; or, Hindoo Fairy Legends Current in Southern India” by Mary Frere et al. is a collection of fairy tales rooted in Indian oral tradition, compiled in the late 19th century.

About This Work

“Old Deccan Days; or, Hindoo Fairy Legends Current in Southern India” by Mary Frere et al. is a collection of fairy tales rooted in Indian oral tradition, compiled in the late 19th century. The book draws on various local legends and folklore from Southern India, reflecting the rich cultural heritage and storytelling practices of the region. It presents a plethora of enchanting narratives that feature unique characters, moral lessons, and supernatural elements characteristic of Indian fairy tales. The opening portion of this collection sets the stage with a detailed introduction and the stories of the narrator, Anna Liberata de Souza. It shares her personal background, detailing her family’s Christian conversion and their historical context during colonial times in India. The narrative then transitions into the tales themselves, beginning with “Punchkin,” which tells the tale of a Rajah’s seven daughters and their struggle against a cruel stepmother. As they face adversity, they encounter magic and the supernatural, embodying the themes of resilience and the triumph of good over evil that are prevalent in traditional fairy tales. This introductory section establishes a strong connection to the customs, beliefs, and experiences of the people in the Deccan, entwining personal and cultural histories with the art of storytelling.

Content


Disclaimer: This text was processed and enhanced using Claude (Anthropic AI). While efforts have been made to maintain accuracy and formatting, this version may contain AI-generated content. Please refer to the original source materials for scholarly or archival purposes.